Once in a great while, an artist emerges that has a profound effect on popular culture. Grammy Award-winning reggae pioneer Burning Spear is such an artist. A certifiable legend, Spear is celebrating 35 years in the music business and shows no sign of slowing down. His concerts regularly last over two hours, a live show that delivers more energy and vibrancy than many rock and roll bands that are half his age. Spear, who has been featured in Vanity Fair's music issue, generates excitement from his message as well as his music.

Carrying the torch for the gospel of Marcus Garvey, Burning Spear is one of the single greatest proponents of self-determination and self-reliance for all African descendants, but his message is not exclusively based on the teachings of Garvey. Through his music, Burning Spear has consistently been able to educate, inform, and uplift people the world over with his positive message based on honesty, peace, and love.

Growing up in the parish of St Ann's Jamaica, the same musical hotbed that produced Bob Marley and the Wailers, Burning Spear made his first recording of "Door Peep" in 1969 for the esteemed Studio One label. In fact, it was Bob Marley himself that referred Winston Rodney to Studio One. Shortly before the release of "Door Peep," Rodney chose to release the recording under the name Burning Spear, a reference to Jomo Kenyatta, a political activist who championed for a free and democratic Kenya and went on to become the country's first president after being charged and jailed for the Mau Mau insurrection.

As Spear recalls,"The way the whole thing came about is that I found myself moving along up in the hills of St. Ann's and I ran into Bob [Marley] at the same time. And Bob was going to his farm. The man was moving with a donkey and some buckets and a fork, and cutlass and plants. We just reason man-to-man and I-man say wherein I would like to get involved in the music business. And Bob say, ‘All right, just check Studio One.' "

While at Studio One, Burning Spear recorded his first two classic albums, Burning Spear and Rocking Time. Building on this solid foundation, Spear went on to record for Island Records in the 70's, releasing three albums (Marcus Garvey, Man in the Hills, and Garvey's Ghost) that not only reshaped the face of reggae music, but also saw the emergence of Burning Spear as an international artist whose artistic vision began to permeate popular culture around the world. He followed these up with the release of Hail H.I.M. for EMI and set the stage for a prolific string of releases through the 80's and 90's, including the Grammy winning Calling Rastafari, as well as Rasta Business, The World Should Know, Fittest of the Fittest, and more.

In 2002, Burning Spear, along with his wife and partner Sonia Rodney, embarked on a new journey with the launch of Burning Spear Records. The label has released, Live At Montreaux Jazz Festival 2001 and the 2003 Grammy-nominated studio release Free Man.

In 2004, Burning Spear Records is gearing up for its next phase. With the recent announcement of a deal with MRI/Ryko Distribution, a series of newly remastered classics are being reissued through the summer: a special edition of Free Man, the double CD Burning Spear Live In Paris/Zenith '88, plus People Of The World, Resistance, Living Dub Vol. 2 and the DVD Home to My Roots/Live In Paris. An extensive U.S. tour celebrating Spear's "59th Earthday" is set for June through September, with highlights including major summer festivals such as Bonnaroo Music Fest, Bumbershoot, and Central Park Summerstage. Spear will preview new songs on the tour, including tracks to be included on his next studio release, due in 2005

So get ready for the next 35 years and Keep the Spear Burning!

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